So, when you’re adding, say, 20dB of negative feedback, you’ve just reduced the gain from 60dB down to around 40dB. That’s why they call it “feedback-controlled.” The more negative feedback you apply to an amplifier, the lower the distortion goes. Here’s what is going on behind the scenes with the Manley VOXBOX circuit: the Gain switch adjusts the gain of the circuit by changing the amount of negative feedback around the amplifier. That said, if you go through some presets, and arrive at something that sounds like it’s working pretty well, look at what it’s doing, learn from it, and adjust it as you need to. Let’s say you have something like my “Warm Male Vocal” preset: Is that for more of a Michael Jackson vocal sound or is it Barry White? Obviously, everyone’s got a different register and timbre. But even if you do use presets, ultimately everything you do still needs to be tailored for the application you’re going to use it on.
Sure, I have chains of effects that I may like to use on a vocal, but not presets within that. Not on a synthesizer, not on a multi-effects processor, hardware reverbs, nothing.
There’s no way I can expect anyone to simply call up one of my presets and be done. So I think of my presets very much as jumping-off points. It’s a really neat exercise, and though it’s probably not going to work in your song the exact way I’m playing it, it’ll give you a starting point for what you might do. I like to say that a preset is like showing someone a guitar lick. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log Inĭo you use presets in your own sessions, and if so, how? Thunderbolt 2 Option Card Thunderbolt 2 Option Card